How to Draw Hair Learn How to Create an Easy Hair Drawing
Table Of Content
First defining the main shape of the hair and then refine your drawing by adding the smaller details. Afterwards you can gradually shade the line drawing in several lairs of strokes. Once you have the lighting down, start drawing boundary lines between groups of hair that appear to be overlapping. Decide where you want the light to fall and then outline those areas using the shadow lining technique. It helps to make loose outlines of the skull before you start drawing hair. If you draw hair without the 3 dimensional shape of the human head in mind, it will lack volume and you risk chopping off a part of the skull.
How to Draw Wavy Hair
As we draw hair it is always important to keep in mind that the process is to mimic the actual quality of hair. When we think of hair, what it is is a series of lines compiled into groups that can be wavy, coily, straight, and so on. When these groupings merge or overlap, there is always a sense of shadowing that develops as an effect of that overlapping.
Drawing Realistic Long Hair
In this tutorial, I will introduce 4 simple steps for drawing realistic looking hair. Similar to the first hairstyle begin by applying an initial series of strokes that will define the light, medium and dark areas of the hair. Again be sure to make these in a way where they flow along the shape of the hair. As this hairstyle is much more symmetrical then the first one it will tend to have much smoother transitions between these areas than the first example. Next, begin to add value to the darker shapes first.
How to Draw Curly Hair
These stray hairs can be added after the general shape has been drawn, but more on this in a moment. But by breaking down the steps, we can simplify the process a bit. If you know how to see hair in terms of shapes, lines, and values then it becomes just like drawing anything else.
Each style includes step by step drawing examples and explanations. Since this is a short hairstyle, keep them closer to the shape of the head, adding just slightly more volume to the outline of the skull. Be sure to start drawing with very light lines as you will need to erase parts of it in some of the steps. Light lines will also make it much easier to correct mistakes.
Step 3
At last, it is time to go over the illustration in ink. Pick out a fine-tipped pen and trace all of the graphite lines. Once you're sure the ink has dried, erase any visible pencil marks. People are some of the most fascinating and difficult subjects to draw. From rendering the complexity of eyes to the shapes of lips, there are many different nuances involved. And, while facial features capture the likeness of a person, hair can say a lot about their personality and style.
We want to analyze the source image and see how the hairs sprout outwardly from the top of the head toward the left and right directions towards where the hair falls. What we want to do is very loosely draw the shape of the hair outline whilst we use our source image as a guide for accuracy. Pencils are helpful for hair drawing as they provide us with a template-like mark-making process which we will then apply pen over to bring our drawing to life. Using a pen as a drawing medium can mimic the realistic contrast qualities that we see in anatomical structures. We use the pen as a way to bring the drawing out and make it pop.
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In this way, you can make sure that every linevisually leads to another line in the drawing. For our hair drawing reference, we will be using an image that we can either print or refer to directly from a smart device. Explosive —but not too much, curly hair is voluminous, hard to control and, many times, hard to comb! Fluffy, soft, playful and gorgeous, those are some adjectives we can think about for curly hair. Textures save time and add complexity to the shapes.
Darlene created RFA In 2013 with the goal of sharing simple yet detailed drawing tutorials with other artists on the world wide web. She is a self taught pencil portrait artist and Youtuber. Gradually darken the overall drawing until you create a good balance between the various areas of the hair.
Don't be afraid to work the values to increase the contrast. Adjust darker tones by adding additional applications of graphite and make areas lighter with your eraser. You may start by taking a photo of someone's hair - perhaps your own. Look for a defined collection hair that forms a shape.
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• My first step was to draw the outline of the main lock (the one which will be the base of our drawing), following the direction in a S shape. Drawing curly hair is really fun and absolutely great for building confidence when it comes to adding texture. If you’re having difficulties drawing long hair because your pencil strokes are too short or choppy, try holding your pencil further away from the tip. This will give you more range of motion, producing longer, smoother strokes. Erase the parts of the head (including the hairline) that are hidden by the hair once you are done drawing it’s basic shape. Similar to the first example begin by drawing the main shape of the hair with the largest details over top of the head/hairline.
Although unlike the previous example you can make them slightly less apparent to give the hair a smoother and neater look. Every head of hair is unique and like many aspects of figure drawing, changes in viewpoint can dramatically affect the approach that you take. Light reflects off of hair differently and textures are diverse.
Haircan be thought of as various forms depending on the hairstyle. Forexample, some curls can be thought of as cylinders, and can be renderedin much the same way. Notice that both the curl and the cylinder have ahighlight, halftone and shadow area. The core shadow on the curl issomewhat obscured by its texture. Toreach both of these goals, drawing every hair or curl that I see doesnot have to be a priority. Instead, part of my challenge will be tofigure out how to design what I see.
Starting a little above the hairline (or forehead), draw large petal-like shapes to create the bangs. Iam working from general to specific as I draw the hair. For example,about halfway down the hair on the left, light illuminates all threesections of hair. Notice that while theyall look ribbon-like, they are not repetitive and each has a uniqueshape and curve of its own.
Again, don't think about hair - think shapes, values, and lines. Once we have a good understanding of the light, we can begin developing the texture and value of the hair. The directional strokes that are used should flow along the form of each collection of hairs. With curly hair, the collections are smaller and more compact. Since the hair is curly, the directional strokes that we make for each "clump" should also curve just as the hair does.
I think no bangs would be better, but I want some hair to cover one eye, and the tips of the hair to curl inwards. Add strands of hair in the form of little springs all around the head. Hair is very difficult to draw, because what we see is different than what we know. You can't simply draw all the hairs in the form of lines, because that's not what we see when we look at hair. What we see must be simplified to lines and shades, and there are many ways to do it.
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